There is Nothing Equal to Me, Who Speaks of Kṛṣṇa's Līlā.
கிருஷ்ணலீலை பேசும் எனக்கு எதுவும் நிகர் இல்லை
(i) A whole decad has been devoted by Periyāḻvār to a thrilling description of the enthralling strains from Lord Kṛṣṇā’s flute. Śrī Parāṣara Bhaṭṭar has epitomised all that, in just one Śloka of the second centum of his ‘Śrī Raṅgarāja Stavaṃ’, where the author goes to the extent of saying that Śrī Kṛṣṇa felt entranced by His own music.
(ii) Oh, what a wonder of wonders!
Words may be rearranged for prose order (Aṉvayam). Read meanings in black continuously for the simplified sense based on the Divyārtha Dīpikai.
Within the progression of the Sixth chapter, this second pāśuram of the fourth chapter manifests a profound state of spiritual realization attained by the Āzhvār. As celebrated by our revered āchāryas such as Nanjīyar, this verse is the glorious culmination of a prayer uttered previously in Thiruvāymozhi 5.9.10: "thollaruḷ nal vinaiyāl solak kūḍungol" (Will we ever