Śrīraṅga Gadyam — Rāmānuja's Lyrical Address to Raṅganātha
Śrīraṅga Gadyam ('the prose of Śrīraṅgam'; named for Śrīraṅgam, the sacred island-temple on the Kāveri river in modern Trichy, Tamil Nadu) is the second of the three gadya-traya of Rāmānujāchārya — composed and recited before the arcā-mūrti (the sacred installed form) of Raṅganātha, the reclining form of Bhagavān as the mūlavar (principal deity) of Śrīraṅgam.
Unlike the Śaraṇāgati Gadyam which primarily documents the formal act of surrender, and the Vaikuṇṭha Gadyam which describes the transcendent divine realm, the Śrīraṅga Gadyam is primarily a guṇa-kīrtana (enumeration of Bhagavān's auspicious qualities) — a loving address in which Rāmānuja meditates on Bhagavān's:
- Paratva (absolute supremacy) — He is the uncaused cause of all creation, the ultimate ground of being
- Saulabhya (loving accessibility) — despite His supreme transcendence, He chooses to recline graciously in the arcā (worshipped form), available to all devotees
- Kalyāṇa guṇas — His infinite auspicious qualities: sauśīlyam (good nature, lack of haughtiness), sauṃdaryam (beauty), vātsalyam (parental affection toward devotees), kāruṇyam (compassion), mārdavam (tenderness)
The prose style of the Śrīraṅga Gadyam is notably more lyrical and meditative than the other two gadyas — it reads almost as a sustained dhyāna-śloka (meditative verse). Rāmānuja's vision of Raṅganātha in the gadyam provides one of the most complete theological portraits of Bhagavān in the Śrī Vaiṣṇava textual corpus.
The Śrīraṅga Gadyam is recited during the Panguni Uttiram festival at Śrīraṅgam — the day celebrating the divine marriage of Śrī (Ranganāyakī) and Raṅganātha.