(i) The Āzhvār, who grieved over his serious handicap, the material shackles, in the two preceding songs, was compensated by the Lord, when He blessed him with the vision of His exquisite Form. In the resultant joy, the Āzhvār drowned his erstwhile miseries.
(ii) The so-called merit (Puṇya) and demerit (Pāpa) play havoc with this body, the seat of action, the one being + Read more