(i) There is no mention in any of the ten preceding songs, about the Lord enshrined in Tiruvēṅkaṭam, and yet, in this end-song, the Lord, in His iconic Form, has been referred to. This only shows that the emphasis rests on ‘Arca’ throughout ‘Tiruvāymoḻi’. In the eighth stanza of this decad, the amazing extent of God’s condescending love, giving precedence to the worldlings + Read more