(i) There is no mention in any of the ten preceding songs, about the Lord enshrined in Tiruvēṅkaṭam, and yet, in this end-song, the Lord, in His iconic Form, has been referred to. This only shows that the emphasis rests on ‘Arca’ throughout ‘Tiruvāymoḻi’. In the eighth stanza of this decad, the amazing extent of God’s condescending love, giving precedence to the worldlings
In this final, crowning pāśuram of the chapter, Śrī Nammāzhvār reveals the glorious fruit, or phalaśruti, that is attained by those who engage with these sacred verses. The great ācāryas unanimously highlight that the bestower of this supreme benefit is none other than Periya Pirāddiyār, Śrī Mahālakṣmī Thāyār herself. As Śrī Nanjīyar eloquently explains, she who