(i) The Nāyakī says, she can’t describe her glorious mental vision adequately. What she has said in this song, touches but a fringe of the subject.
(ii) The undying noise of the children at play, is the unique feature of this pilgrim centre where the children play right in front of the temple. Eager to witness the children at play, the Deity would appear to have asked
In this inaugural pāsuram of the third decad, Parāṅguśa Nāyakī, consumed by a divine love-sickness that transcends all worldly expression, reveals her unshakeable determination to journey to the glorious divya dēśam of Thenthiruppērai. Responding to the anxious enquiries of her mother and other maternal figures who seek to restrain her, she explains that her suffering